● Content · Ads · Growth
We make Ontario service businesses impossible to scroll past. Get your first qualified leads within 7 days of launch.
Six ad creatives and four organic pieces every month, all produced off a single capture day. The blend is what makes the results undeniable.
Trusted by
Performance
Straight off the account.
Three reels we produced and posted. No boost, no ad spend behind any of them — this is what the content did on its own.
Screenshots below. Every figure comes straight out of Instagram Insights — nothing estimated, projected or rounded up. Skip rate on all three sits below the account average, which is the metric that decides whether the platform keeps showing your video to strangers.
Reel wall
This is what runs.
First we build an offer worth responding to. Then we test it across formats until the winners are obvious, and the pieces that perform carry forward into a system that produces leads month after month.
Receipts
The screenshots, unedited.
Same three reels, straight from the phone — and the kind of comment that shows up underneath when the content is doing its job.




Barrie · Simcoe County · GTA
Your competitors are already on the feed.
Install this in my business →The engagement
Ten pieces a month. Six that sell, four that build trust.
Ads alone get ignored by people who've never heard of you. Organic alone takes years. Every month we produce both streams off a single capture day, so the content that builds credibility and the ads that ask for the sale are made by the same hands, in the same look.
One capture day
We come to your floor, your site or your clinic. A small crew, cinema glass, and a shot list built before we arrive so nothing is improvised on your time.
Six ad creatives
Built to be tested, not admired. Different hooks, different angles, each one aimed at a specific reason someone hasn't bought yet — so the account has something real to learn from.
Four organic pieces
The trust layer. When your ad sends someone to your profile, this is what they find — proof you're a real business run by real people, which is what makes the ad work at all.
Compliance before camera
For Ontario dealerships, every script is checked against OMVIC advertising rules at the writing stage, where a fix costs nothing.
Distribution and read-back
Posted on a calendar you can see, then reviewed. What performs gets made again next month; what doesn't gets cut without ceremony.
per month, per client
per month, per client
Ten finished pieces every month
- One on-site capture day
- Hooks and scripts written against real objections
- Graded in DaVinci with our own film look
- Cut per platform, with a posting calendar
- Ad variants iterated off what the account reports
- You keep the raw footage
Brand films available on top
Process
Five steps, in this order, every time.
Diagnose
Your offer, your margins, and the specific reason people hesitate before calling you.
Script
Hooks written against those objections. Compliance built in at the script stage, not patched in after.
Shoot
A small crew on your floor. Cinema-grade glass, minimal disruption, batched so one day covers a month.
Grade & cut
Edited and coloured in DaVinci Resolve with our own film-emulation look. Cut once per platform, not resized.
Distribute
Posted, tracked, and re-cut off performance. What works gets made again; what doesn't gets killed fast.
Approach
Transparency is the whole pitch.
Most local businesses have already been burned by an agency. So we removed the parts that make people nervous.
Pay on close
On qualifying engagements you pay when the work produces a closed customer — not on a retainer that bills whether or not the phone rings. We take the risk with you.
Compliance handled
Ontario dealership advertising has rules — all-in pricing, disclosure, registration. Every script we write for an OMVIC-registered dealer is reviewed against them before production.
Everything in-house
Concept, script, camera, colour and delivery under one roof. No white-labelled editor in another timezone, no telephone game between three vendors.
You own the footage
Raw files, project archives and final masters are yours. If we stop working together, you keep everything we shot.
Before you ask
Got questions? Good.
We've been burned by an agency before.
Most of our clients have. It usually comes down to three things: a retainer that bills regardless of results, content nobody can point to a customer from, and no idea what's actually being made. Pay-on-close pricing, a shared content calendar and a monthly review of what performed are the direct answers to all three.
Do you run our ad accounts?
Not by default. Our core work is the creative and the content system — and we work alongside whoever manages your media buying, or your existing agency. If you don't have anyone, we'll tell you honestly whether you need one yet.
How fast do we see content?
First capture day is typically within two weeks of kickoff, with the first edits back inside a week of the shoot. After that you're on a monthly cadence.
Does someone have to be on camera?
It helps, but no. Plenty of what we make is product, process and place — the car, the clinic, the build. When a face is the right call we'll say so, and we can bring talent in.
What does it cost?
It depends on cadence and production scale, so we quote after the first call rather than posting a number that's wrong for most people. What we can tell you up front: there's no long lock-in, and pay-on-close is on the table for the right fit.
Start a project
Tell us what's not working.
Fifteen minutes, no deck. We'll tell you what we'd make first and whether we're the right people to make it.
